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Vicky E's avatar

Coincidentally, I just made a new goal a few days ago to try to talk to at least one stranger whenever I'm out and about. This happened because I was in the grocery store and saw a guy with a t-shirt from an art exhibit I was considering going to, and asked him about it. He went on WAY too long, 5-10 minutes, lots of details and repetitions about all the displays and which way to go in the exhibit, and I was thinking about how that rain coming in would probably soak me if I ever got out to my car, but in the end, I was so happy I talked with this funny little guy, because I met a memorable, enthusiastic character, and I want to do more of that.

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Sam Ursu's avatar

Very interesting.

I've probably listened to more conversations than anyone alive, between recordings of jailhouse phone calls (to an outside party), recordings of police interviews, and a device I used to have that let me listen in on cell phones from passing motorists. Furthermore, I grew up in the era of landline phones where - no joke - it was nothing to have a six-hour chat with someone, sometimes even falling asleep while you're talking.

Obviously, I never interviewed anyone about their perception of whether the conversation went on for too long/short/etc. What I can tell you, however, is that most conversations seem incredibly boring to an outside observer but are critically important to participants.

First, the only conversations which seem engaging to outsiders are those in TV and films. As a screenwriter, I can tell you that these are VERY artificially constructed, and for good reason. Re-enacting a genuine conversation from a transcript would put the audience to sleep.

Second, one of the reasons why conversations seem boring to outsiders is because so much more is going on than an exchange of words aka "dialogue" aka what we think conversations are like due to film/TV. In some cases, it's literally passing the time with another person. You no longer feel alone. Other times, you're comparing and contrasting in order to find compatibility, hence the "oh where you from?" type of leading questions. In other words, it's kind of like an interview to see "can me and this person be friends/friendly?" Other times, it's almost like a mutual therapy session where you both get to release what's on your mind and the other person's job is just to listen.

Since you have recordings to review, go back and pick one at random. What you're gonna find is that there are short bursts where real/vital information is exchanged interspersed between long lulls. Someone might be talking about how "a cup is loud" and then boom, say something like "Hey, did I tell you I just got out of the hospital last week? Yep, cracked seven ribs."

Actually, it's quite a fascinating phenomenon, and now I'm kinda wishing I could eavesdrop on some conversations again because the rhythm and the give-and-take is VERY interesting once you learn how to interpret it. Hmm, maybe that's how I got into writing such good dialogue because the trick is to compress all the vital bits and trim out the (natural) lulls.

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